Joyriders

Alice Connew

Published by Gloria Books, November 2024

Essay by Emma Jones
Designed by Alice Connew
Typography by Catherine Griffiths
Image Prepress by Louis Little, Bread & Butter Studio
Printed in Lithuania
Cloth bound, hardback
48 images (colour and black and white)
215x170mm
ISBN 978-1-0687300-0-9
Limited edition of 300

Preorder now for the early-bird price. Expected delivery late November 2024. All preorders will receive a limited edition GLORIA iron-on patch, until stocks last.

NZ$75.00 Original Price:NZ$95.00

See the 2020 PhotoForum featured portfolio of this body of work here.

Joyriders is the culmination of photographer Alice Connew’s four year investigation of the women motorcycle riders of Petrolettes. Within what is commonly recognised as a traditionally male sport, these women have unapologetically carved out a space to call their own, defiantly declaring, “we ride too”.

The Petrolettes festival — Europe's first motorcycle festival for women — kick-started in 2016 with a mission to elevate, empower and unite women riders across the globe in a powerful, inspiring community. “If you’re a woman on a bike, you’re always the ‘odd one out’. That’s not always bad, even if it can be tiring,” explains Irene Kotnick (founder). “I was interested in shaking things up, so I set up this little playground I could invite all my girlfriends to.”

Joyriders spotlights the female rider in the context of both an historical and a continued presence. The American Motor Maids established themselves in the 1930s, and similar impediments these trailblazers faced seem to still apply. Many of the women Connew conversed with at moto-gatherings have stories of hindrances: they were told they can’t ride; they’re too small; they don’t have the physical or mental capacity to handle a bike. Those rebuffs have spurred many to prove their naysayers mistaken.

This zealous attitude becomes the core of Joyriders which juxtaposes themes of femininity and the female gaze against machismo and convention.

The women and their bikes move through landscapes that shift between post-industrial, iron graveyards to genteel cultural landmarks, each location harking back to patriarchal histories in which the women atop their bikes, careening down the roads, become vehicles of radical resistance.