Following the successful photography workshop held last year at Auckland’s AUT University - St Paul Street Gallery, with now NYC MoMA curator Quentin Bajac and Pieter Hugo, this year in August, Sandra Phillips Curator of Photography at San Francisco MoMA will be coming to Auckland.
Sandra has been photography curator at SFMoMA since 1987 and is one of the most influential curators in the medium working today. She has maintained SFMoMA’s position as having one of the most active departments of photography anywhere. Sandra has been responsible for a host of exhibitions including those involving William Klein, Daido Moriyama, Diane Arbus, Larry Sultan, and most recently Rineke Dijkstra and Garry Winogrand. She is an empowering teacher and an engaging personality.
Sandra Phillips will also be in Auckland as guest and key-note speaker for the Auckland Art Fair, where the focus this year is on photography. The Art Fair opens Wednesday August 7. The photography workshop runs over 2 days, Saturday August 10 and Sunday 11 August, and will be presented in AUT’s new state of the art digital design facility. Workshop attendees will receive a complimentary pass to the Auckland Art Fair so that they can go to the panel discussion with Sandra Phillips and Auckland Art Gallery senior curator Ron Brownson on the afternoon of Thursday August 8.
This is a unique opportunity to have your work reviewed by and learn, first hand, from one of photography’s most iconic personalities.
There is a limited number of places for the workshop and already there is a high level of interest. If you wish to attend or have any questions please contact me without delay at firstname.lastname@example.org
“Pictures They Want to Make - Recent Auckland Photography” by Chris Corson-Scott and Edward Hanfling, Published by PhotoForum Inc., Auckland. ©PhotoForum Inc.
Here at PhotoForum we are very excited about our new major publication “Pictures They Want to Make - Recent Auckland Photography” by Chris Corson-Scott and Edward Hanfling, with photographs by Mark Adams, Edith Amituanai, Fiona Amundsen, Harvey Benge, Bruce Connew, Chris Corson-Scott, Ngahuia Harrison, Derek Henderson, Ian Macdonald, Haruhiko Sameshima, Geoffrey H. Short and Talia Smith.
Advance copies have now arrived and we are thrilled with the quality of the book. At 27.5 x 30.5cm, 176 pages, hardbound with over 100 colour plates, it is a truly substantial tome. A limited number will be available to view and purchase at Northart gallery, where the associated exhibition “Recent Auckland Photography” is currently on show until 12 June 2013. This publication will be available in selected bookshops and directly from PhotoForum (email email@example.com) from mid June.
It was great to see such a large crowd in attendance last Sunday night (19th May 2013) for the exhibition opening of Recent Auckland Photography, at Northart Gallery. Below is a selection of photos from that evening.
Curated by Chris Corson-Scott and Edward Hanfling, the exhibition, (in association with the Auckland Festival of Photography) runs until 12 June 2013. Featured artists are: Mark Adams, Edith Amituanai, Fiona Amundsen, Harvey Benge, Bruce Connew, Chris Corson-Scott, Ngahuia Harrison, Derek Henderson, Ian Macdonald, Haruhiko Sameshima, Geoffrey H. Short and Talia Smith.
We hope many of you will join us at Northart on Saturday June 8 (from 3pm), for the talk by Ron Brownson with Edward Hanfling, followed by an informal “Meet the artists” session.
Also accompanying the exhibition, is the book Pictures They Want to Make - Recent Auckland Photography by Chris Corson-Scott and Edward Hanfling, and published by PhotoForum. A very limited quantity of advance copies have been made available for viewing or purchase at Northart Gallery. The remaining stock is due mid-June. Enquiries regarding this publication can be emailed to firstname.lastname@example.org.
Our thanks to Nikon New Zealand, Progear Professional Photographics, Vista Entertainment Solutions and The James Wallace Arts Trust for their generous support towards making this publication possible.
Pictures They Want to Make - Recent Auckland Photography also part of PhotoForum’s current subscription offering to members. It’s a great way to receive this substantial (27.5 x 30.5cm, 176 pages, 100 colour plates, hardcover) publication while also supporting the promotion of NZ photography. To find out more about PhotoForum, visit our website at www.photoforum-nz.org.
PhotoForum director Geoffrey H. Short, speaking about the accompanying publication
Pictures They Want to Make - Recent Auckland Photography. Exhibition opening of
“Recent Auckland Photography” at Northart Gallery, 19 May 2013.
Co-curators Chris Corson Scott (far left), and Edward Hanfling (centre) with exhibiting artist Fiona Amundsen. Exhibition opening of “Recent Auckland Photography” at Northart Gallery, 19 May 2013.
John B. Turner discusses Ian Macdonald’s work with sculptor John Radford. Exhibition opening of “Recent Auckland Photography” at Northart Gallery, 19 May 2013.
Exhibiting artist Ian Macdonald (centre) in conversation with gallery visitors. Exhibition opening “Recent Auckland Photography” at Northart Gallery, 19 May 2013.
May 21st, 2013
4 June 2013 - 28 July 2013, Pah Homestead, Photography Gallery, Boardroom & Master Bedroom
Opening 3 June, 6-8pm, Upper Level
Q+A with Gil Hanly: Sat 15 June, 1pm.
Gil Hanly is one of New Zealand’s best-loved photographers. For more than five decades she has documented the people of New Zealand at times of great social change, with a special focus on the protest movement. Many of her images of New Zealanders in protest are internationally famous. She is also our most prolific and widely published garden photographer. Gil and painter Pat Hanly (1932-2004) have been at the heart of New Zealand’s art and peace movements and her images record thousands of amazing social events and personalities.
Curated especially for the Auckland Festival of Photography, Gil Hanly - Artists in Situ features portraits of best-beloved and emerging Kiwi artists at work, providing rare glimpses into the most intimate and vital part of an artist’s working life - the studio.
The Pah Homestead, TSB Wallace Arts Centre
72 Hillsborough Rd, Hillsborough, Auckland
Open Tues to Fri, 10am - 3pm
Sat, Sun & public holidays, 10am - 5pm
T 09 639 2010 E email@example.com
May 21st, 2013
May 19th, 2013
Neil Pardington - The Order of Things
Daniel Crooks - remapping
24 May - 7 July 2013
Private View: Thursday 23 May 6-8pm
Neil Pardington - Artist talk: 1pm, Fri 21 June
16 Putiki Street
Hours: Tuesday – Friday 11am – 6pm
Saturday 11am – 3pm
Phone 64 (9) 360 5900
May 19th, 2013
Sacred Geometry: Standing Stones of the Scottish Isle - Jo Elliott
1 - 17 June 2013, opening Fri 31st May, 5 - 7pm
View further detail about this artist and exhibition here
1st floor, 37 Courtenay Place, Wellington
T: 04 382 9502 M: 027 444 3899
Open 10am to 4pm Mon-Fri, 11am to 4pm Sat
June 7 - August 30 2013
Reception with some of the artists 5.30 pm Friday 7th June
An edited version of this exhibition will be shown at Auckland Art Fair, August 7 - 11
Available light: imagining more than we see
Laurence Aberhart, Mark Adams, Fiona Amundsen, Wayne Barrar, Richard Barraud [Estate], Andrew Beck, Peter Black, Rhondda Bosworth, Murray Cammick, Joyce Campbell, Ben Cauchi, J.W. Chapman-Taylor [Estate], Richard Collins, Lisa Crowley, Hayden Fritchley, Frank Hofmann [Estate], Nikolai Kokx, Adrienne Martyn, Anne Noble, Max Oettli, Fiona Pardington, Trent Parke [Australia], Peter Peryer, Steve Rood, Andrew Ross [image above], Haruhiko Sameshima, Justine Varga [Australia] & Len Wesney
Throughout the history of photography artists have exploited the creative potential of natural and artificial light in their work. Light, and its absence, is a source of inspiration and new technologies have expanded this field considerably.
In this exhibition we explore the transformative quality of light on film “…light changes the ways we respond to the appearance of place…” . Conversely, light pollution can distract from the creative effects of low light.
Utilising available light, darkness becomes both tool and subject. Seemingly unremarkable objects and spaces unpredictably assume a mysterious otherness when emancipated from full light, allowing our imaginations to create the narrative; a perceptual or psychological truth. Restricted light thereby focuses attention, emphasising mood over subject matter and enhances the transcendent power of the medium. Visual legibility is subservient to emotional magnitude. Human presence may be intimated, via ‘props’, through absence. A stage set which, devoid of players, concentrates instead on the evidence of an absence. Capture of available light, and careful attention to tonal values, can also encourage our peripheral awareness. More light, and detail, can distract the mind.
Harnessing the subtle effects of low light is possible with film; a photo-chemical continuum.
“They [traditional photographs] are material objects tangibly connected to the world through the nature of their creation: impressions created with silver filaments suspended in animal gelatin, altered by light and chemistry.” Low light generally means longer camera exposure of the film and a consequent ‘absorption’ of time into the image. Expanding on this point in relation to Laurence Aberhart’s work, Geraldine Barlow writes “[he] chooses a process of stillness, an extended measure of moments over which light acts upon a prepared surface,…There is a special sense of light in Aberhart’s work, never entirely of the now.” 
Film has the potential to capture things the eye [and therefore the photographer] cannot see. This potential is expanded with new technologies such as night-vision equipment, which magnifies the available light or is sensitive to infrared light, transforming reality into a science-fiction alien melancholic place. Other equipment can record the infrared and ultraviolet parts of the spectrum, as well as those visible to the eye, creating ‘wide-spectrum’ black-and-white images. New sensors in digital cameras have a low-light capability such that there are no limitations to what hour of the day a photographer can work.
 Todd Hido “…imagining more than we see…”
 Ron Brownson, exhibition notes: In Shifting Light, New Gallery, Auckland, 2009
 Robert Burley The Disappearance of Darkness: Photography at the End of the Analog Era, Princeton Architectural Press, 2013
 Geraldine Barlow. Published to accompany the exhibition Laurence Aberhart: Monumental, Darren Knight Gallery, Sydney, May - June 2012
McNAMARA GALLERY Photography Ltd
190 Wicksteed St. WHANGANUI 4500
Tuesday / Wednesday - Saturday 11 - 3 [often open to 6] or by appointment
Please check website INFORMATION page for occasional closed days due to travel commitments
06 348 7320 027 249 8059 firstname.lastname@example.org
Note - Pictures They Want to Make: Recent Auckland Photography has a RRP of $59.95. Published by PhotoForum, it is also part of our subscription offer for this current membership year. With the standard subscription rate being $65.00 it’s a great opportunity to receive the publication (along with other benefits), while also supporting PhotoForum’s broader promotion of New Zealand photography. All enquiries can be emailed to email@example.com