Selective Exposure is a group exhibition, organised by Haruhiko Sameshima, featuring a new generation of contemporary photographers based in New Zealand, Germany and Japan. It features samples of prints from each photographer’s sustained projects. Originally exhibited at Photospace gallery in Wellington in November 2015, the opening at In Situ Photo Project will be the exhibition’s first showing in the South Island.
Including work by Caryline Boreham, Conor Clarke, Peter Evans, Shelley Jacobson, Julius Margan, Asumi Mizuo, Solomon Mortimer, Stephen Roucher, Shigeru Takato and Tim J. Veling, these photographers use analogue film technology to reflect aspects of reality filtered through their own experiences, mediated by the old world photographic process.
The artists in this exhibition have all graduated from New Zealand art schools majoring in photography, within the last 25 years. They then went off to explore such diverse subject matters as steaming towers in the industrial hub of Germany, television news studios from 40 countries and 70 cities, contemporary views of the city rebuilt after destruction by an atomic bomb, and petroleum industry related sites across New Zealand from the perspective of ‘peak oil’. Others travelled to scout for alternative identities in the country’s heartlands, the shifting border between urban and rural in a home suburb or, even closer to home, looking deeply into family and kinship under duress.
The anachronism of using film cameras detaches the images from today’s immediate use-value in that it is, for example, unable to be uploaded instantly to Instagram but it does slow down the process, giving time to contemplate the consequences of image making. The resulting printed photograph will carry that residue of the legacy of veracity, which transcribes the ‘look’ of the world. Accumulation of their selected exposures feeds the artists’ narratives.
This exhibition is a survey of tertiary trained art photographers’ views of where we stand in the global world, staring intently into their individualised evidences of reality. Works here reflect notions of art as social and personal inquiry – seeking to better understand humanity from their chosen environments, and is a record of their experiences within.
6pm, Friday 8th July at the BNZ Centre, 120 Hereford Street, next to Scorpio Bookstore.
Show runs until 5th August
Open daily, 10am – 5pm
– 11 July 2016: In Conversation – Haruhiko Sameshima, Mark Adams, Tim J. Veling, Hannah Wilson. Following the discussion there will be a film screening of ‘Pictures on Paper – Photobooks in New Zealand’ produced by Tangent NZ Photography Collective.
Full details at https://www.facebook.com/events/580140728813539/
January 26th, 2016
UK photographer Justin Quinnell is giving an illustrated lecture on pinhole photography and camera obscuras as part of his travels through New Zealand and Hong Kong. The talks are open to the public and mostly free. Schedule of dates & venues are listed below. For further information visit Justin’s website at www.pinholephotography.org
The Pinhole – from Aristotle to the Selfie stick’
New Zealand – Hong Kong Pinhole Lecture Tour – March 9th – April 2nd, 2016
Tuesday 22nd March – Auckland
PhotoForum event held at MTG RM
2 Kingsland Tce, Kingsland
All welcome to our free event – as seating is limited please register HERE to reserve your place.
Please direct all bookings & enquiries for this Auckland event to PhotoForum.
January 22nd, 2015
A Photographic record by Stephen Trinder
On June 19 2012 Stephen Trinder took a photo of an orange 1978 Datsun B210 in Christchurch, New Zealand.
Without knowing it at the time, this was to be the first of more than 1,000 Christchurch cars he would find and photograph, a pursuit that turned into a near obsession and continues to this day.
Encouraged by local and overseas car spotters as well as more fine art orientated photographers his collection has gained many comments and earned him the majority of the 1.5 million views on his www.flickr.com account.
Responses to the images have ranged from bewilderment at the number of older cars still on the road here, to respect for the owners who restore, maintain and customise models that can only be seen in museums elsewhere. New Zealanders have mentioned makes and models they grew up with and specific cars they have seen themselves.
Viewers have also noted the changing face of the city itself, enquiring about the earthquakes and their effects, often seen in the backgrounds to various vehicles.
As the number of images grew an early ambition was the publication of a book documenting the cars. This has since been replaced by the realisation that the growing number of online views is potentially far higher than a physical book of the same images could generate.
The photographs do however lend themselves to being exhibited en masse. A makeshift wall display continues to elicit a universally enthusiastic reaction, providing a picture postcard catalogue of a city seemingly populated solely by cars. Visitor’s reactions here, ranging from visiting members of the police force to rebuild workers, echo the online comments as well as including decisions on favourites, oldest, ugliest and most expensive vehicle.
Several times Stephen Trinder has vowed to stop but everytime something exciting has literally turned the corner. Many more cars (and utes, trucks, buses, caravans, etc.) are out there and you can see them as they’re found simply by following the photographer at:
You can also see a portfolio of images by Stephen Trinder on the PhotoForum members gallery HERE
December 16th, 2014
Photographer David Cook has just released a book of his Christchurch images from the 1980s. An accompanying exhibition is due to open at Christchurch Art Gallery (offsite at 209 Tuam St), in late January 2015. See more details below.
Take a trip down Retro Avenue with this beautifully designed book of photographs of 1980s Christchurch.
After the earthquake of 22 February 2011, photographer David Cook returned to his former hometown and found the central city irreparably damaged. He was inspired to unearth his archive of 6000 photographs of the city he’d shot as a young man in his twenties, rebuilding through images the city as he remembered it.
Cathedral Square, Centennial Pool, Lancaster Park, schoolboys, punks, nuns – this is a moving, nostalgic journey through the city we’ll never see again.
View a selection of images from the publication and purchasing details here
Meet Me in the Square: Christchurch 1983-1987
Published by Christchurch Art Gallery
Designed by Jonty Valentine
Dimensions: 275mm x 210mm
Format: Hardcover $NZ49.95 and flexicover book $NZ39.95
Publication date: December 2014 – Available now.
David Cook: Meet Me in the Square forthcoming exhibition
31 Jan 2015 – 24 May 2015
Curated by Ken Hall
Christchurch Art Gallery offsite at 209 Tuam Street
open 10am – 5pm, Monday to Friday
10am – 4pm, Saturday and Sunday
As a young photography student, David Cook’s camera was his licence to explore 1980s Christchurch. Bell-ringers and boot boys, beery crowds, nuns, mums with prams – his photographs continue to resonate. More exhibition info here
February 27th, 2014
Christchurch likes to call itself “most English city.”
Akaroa 30. 09. 2012
Akaroa Protected 30. 9. 11 Buckland
March 7-28* 2014
Reception 5.30 pm Friday 7th March
Click here to see earlier work by this photographer
190 Wicksteed St. WHANGANUI 4500
Tuesday / Wednesday – Saturday 11 – 3 [often open to 6] or by appointment
* Please check website INFORMATION page for occasional closed days due to travel commitments
06 348 7320 / 027 249 8059 firstname.lastname@example.org
February 21st, 2014
15 – 28 Feb. 2014
CPIT Rakaia Centre
130 Madras St, Christchurch Central
Enchanted Gardens considers the relationship between nature and people, their gardens and parks. Curated by Warren Feeney, it is a fundraising exhibition for the Christchurch Garden City Trust, the organisers of the Festival of Flowers. Included in the lineup of art works on show, are six post earthquake images by Christchurch photographer Maurice Lye.
July 10th, 2013
Looks like another great lineup of films coming up very soon, as part of the 2013 NZ International Film Festival. The selection below should be of particular interest to photographers:
Antarctica: A year on Ice –
Filling the giant screen with stunning time-lapse vistas of Antarctica, and detailing year-round life at McMurdo Station and Scott Base, Anthony Powell’s documentary is a potent hymn to the icy continent and the heavens above. It is like nothing you’ve ever seen before.
Update: due to popular demand, extra session scheduled in Auckland for Saturday 3 August, 10.45 am at The Civic
Which Way Is the Front Line From Here? The Life and Time of Tim Hetherington
For the pictures alone, Which Way Is The Front Line From Here? The Life and Time Of Tim Hetherington demands a big screen. The British photojournalist’s still and video images from Liberia and Sierra Leone, from Sri Lanka, from Afghanistan and Libya, many captured in the depths of conflict, tell countless stories: moments of humanity amid the blur of war.
William Yang: My Generation
For 20 years Sydney photographer William Yang, a canny and candid chronicler of his life and times, has been bringing added life to his pictures in a series of affecting slideshow performances. This show from 2010, now filmed by Martin Fox, takes us back to wild days amongst the Sydney bohemia of the 70s and 80s, an era of riotous liberation stopped in its tracks by AIDS.
October 10th, 2012
‘Building a Sense of Place’ – Richard Mahoney & Kristina Pickford
Canterbury Earthquake Heritage Buildings Fund Photographic Exhibition
Official Opening (All Welcome): 5.15 – 7pm, Wed 17 Oct 2012
Meet near the Christchurch City Council entrance on Worcester Boulevard
Exhibition dates: Every day, Wed 17 Oct – Sun 9 December 2012
Venue: Worcester Boulevard, Christchurch, New Zealand
Official Website: www.savecanterburyheritage.org.nz
“Our relationship with the environment in which we live, our ‘sense of place’, affects all aspects of our life.
Heritage buildings support our sense of place, our feeling of continuity with the past, our need for something certain, within aworld of constant change. They are not just visually pleasing luxuries but essential anchors which give us a sense of identity. They are touchstones by which we measure the present. They influence the way we feel, think and identify with the place in which we live.
Christchurch and Canterbury have traditionally been defined by their heritage buildings. Many have been lost as a result of the earthquakes which devastated the city and province in 2010 and 2011 and the future of many others hangs in the balance.
The Canterbury Earthquake Heritage Buildings Fund (CEHBF) is helping to save the best of our remaining buildings so they will continue to enrich our lives.
Heritage buildings are points of reference, markers of time and place. These remaining buildings remind us of our past and their preservation will ensure that the city which existed before the earthquakes will not be forgotten.
‘Building a Sense of Place’ documents buildings which have received financial assistance or have been targeted for assistance from the CEHBF. Richard Mahoney and Kristina Pickford have worked on this photographic project since December 2011. A large format view camera together with colour transparency and black and white film has been used throughout. The emphasis has been on producing high quality detailed images suitable for enlargement and archiving.
Kristina Pickford is an architectural historian. She has worked with the New Zealand Historic Places Trust and as a Heritage Advisor with the Christchurch City Council. Kristina has a deep and enduring interest in architecture, aesthetics and heritage. With a strong affinity for Canterbury’s natural and built environments, she is working to ensure that what remains of the region’s heritage not only survives, but continues to be relevant.
Richard Mahoney’s photographic work is mostly architectural. He concentrates on the interior and exterior of early New Zealand buildings and structures. He is interested in rural and industrial change, growth and decay, creation, destruction and regeneration.”
Richard Mahoney http://camera-antipodea.indica-et-buddhica.com/
Since December 2011, photographer Richard Mahoney has been working (alongside Kristina Pickford – Heritage Adviser & CEHBF Fundraising Committee Member) on an ongoing project to produce images for the Canterbury Earthquake Heritage Buildings Fund campaign. The Trust was formed in late 2010 to provide financial assistance to owners of ‘Qualifying Heritage Buildings’ so that the precious few heritage buildings which remain after the earthquakes and which are feasible to repair, might be saved.
Mahoney was given considerable freedom to produce photographic works that communicate what he considers “valuable” about these buildings. A notable feature of the newly created CEHBF website and the ongoing funding campaign, is that all of the new imagery is based on large format, 4×5 colour and black & white sheet film.
Those interested in donating to the Canterbury Earthquake Heritage Buildings Fund can find details, by visiting THIS PAGE
September 10th, 2011
Christchurch born photographer David Straight presents ‘Still Here’, a photographic documentation depicting suburban Christchurch following the February 22 earthquake. David interned at Magnum Photos in New York and has self-published several books including Nostos, The End of London and The Continuing Crisis. These books and others will be on display during the exhibition, his first solo show.
Exhibition opens 27th Sept (5.30 -8.00pm) and runs until 22nd October at Satellite Gallery, Auckland.