Selective Exposure is a group exhibition, organised by Haruhiko Sameshima, featuring a new generation of contemporary photographers based in New Zealand, Germany and Japan. It features samples of prints from each photographer’s sustained projects. Originally exhibited at Photospace gallery in Wellington in November 2015, the opening at In Situ Photo Project will be the exhibition’s first showing in the South Island.
Including work by Caryline Boreham, Conor Clarke, Peter Evans, Shelley Jacobson, Julius Margan, Asumi Mizuo, Solomon Mortimer, Stephen Roucher, Shigeru Takato and Tim J. Veling, these photographers use analogue film technology to reflect aspects of reality filtered through their own experiences, mediated by the old world photographic process.
The artists in this exhibition have all graduated from New Zealand art schools majoring in photography, within the last 25 years. They then went off to explore such diverse subject matters as steaming towers in the industrial hub of Germany, television news studios from 40 countries and 70 cities, contemporary views of the city rebuilt after destruction by an atomic bomb, and petroleum industry related sites across New Zealand from the perspective of ‘peak oil’. Others travelled to scout for alternative identities in the country’s heartlands, the shifting border between urban and rural in a home suburb or, even closer to home, looking deeply into family and kinship under duress.
The anachronism of using film cameras detaches the images from today’s immediate use-value in that it is, for example, unable to be uploaded instantly to Instagram but it does slow down the process, giving time to contemplate the consequences of image making. The resulting printed photograph will carry that residue of the legacy of veracity, which transcribes the ‘look’ of the world. Accumulation of their selected exposures feeds the artists’ narratives.
This exhibition is a survey of tertiary trained art photographers’ views of where we stand in the global world, staring intently into their individualised evidences of reality. Works here reflect notions of art as social and personal inquiry – seeking to better understand humanity from their chosen environments, and is a record of their experiences within.
6pm, Friday 8th July at the BNZ Centre, 120 Hereford Street, next to Scorpio Bookstore.
Show runs until 5th August
Open daily, 10am – 5pm
– 11 July 2016: In Conversation – Haruhiko Sameshima, Mark Adams, Tim J. Veling, Hannah Wilson. Following the discussion there will be a film screening of ‘Pictures on Paper – Photobooks in New Zealand’ produced by Tangent NZ Photography Collective.
Full details at https://www.facebook.com/events/580140728813539/
January 26th, 2016
UK photographer Justin Quinnell is giving an illustrated lecture on pinhole photography and camera obscuras as part of his travels through New Zealand and Hong Kong. The talks are open to the public and mostly free. Schedule of dates & venues are listed below. For further information visit Justin’s website at www.pinholephotography.org
The Pinhole – from Aristotle to the Selfie stick’
New Zealand – Hong Kong Pinhole Lecture Tour – March 9th – April 2nd, 2016
Tuesday 22nd March – Auckland
PhotoForum event held at MTG RM
2 Kingsland Tce, Kingsland
All welcome to our free event – as seating is limited please register HERE to reserve your place.
Please direct all bookings & enquiries for this Auckland event to PhotoForum.
September 30th, 2013
Old New World by Mary Macpherson
28 Sept – 10 Nov 2013
Ashburton Art Gallery
Baring Square East
Next Saturday 5 October at 1.30pm Mary Macpherson is giving a talk about her show Old New World at the Ashburton Art Gallery.
Note: Old New World was also PhotoForum’s feature publication (issue #81) for the 2012/13 membership year. Previous postings about this exhibition and accompanying publication can be viewed via the following links: Reviews, D-Photo article, Exhibition & publication launch 2012