f4 collective at the Pah

Full details can be found here.

Homestead, TSB BankWallace Arts Centre


Exhibition and artist info: http://www.photospacegallery.com/2014—cathy-tuatoo-ross.html

Photospace Gallery


Two Rooms _Fiona Pardington_ film_fundraiser


Two Rooms
Gallery hours: Tue to Fri 11am – 6pm, Sat 11am – 3pm




Additional information: http://natlib.govt.nz/events/from-archive-to-albumen
Young Country exhibition/events at Mahara Gallery: http://photoforum-nz.org/blog/?p=4844



This invite from Photobook Club Auckland:

Photobook Club Auckland Nov 2014meetup

RSVP at photobookclubakl@gmail.com



Wellington Streets cover©Julian Ward


Julian Ward’s new book Wellington Streets is being launched at Page Blackie Gallery, 42 Victoria St (opposite the Wellington Central Police Station), on Tuesday November 18th at 5.30pm.  Ans Westra will speak at the launch. There will also be a small exhibition of Julian’s work in the gallery. 

This is Julian’s fourth book and represents his current work on the streets. He envisages it will form part of a boxed series of five books planned for compilation over the next few years, and will include his early landscape and travel work.

Below are a few images from Wellington Streets. Further photographs can be found at  www.julianward.co.nz


27 Julian Ward_1

15 Julian Ward

37 Julian Ward_1

20 Julian Ward


Page Blackie Gallery
42 Victoria St (opposite  Central Police Station)
Gallery hours: Mon to Fri 10am – 5.30pm, Sat 10am – 4pm
Phone (04) 471 2636 / email info@pageblackiegallery.co.nz




‘Young Country’, Mahara Gallery, Waikanae, 1 November – 14 December 2014

An exhibition presenting a selection of images by 19th-century NZ photographer William Williams and poems by Kerry Hines – with albumen prints from Williams’s negatives, made for the exhibition by Wayne Barrar.

The exhibition accompanies the mid-Nov release of  ‘Young Country’, a book of poems by Kerry Hines with photographs by William Williams, published by Auckland University Press.

Events being held in association with the ‘Young Country’ exhibition at Mahara Gallery, include:

Wed 5 Nov, 11am: Floortalk, Kerry Hines – ‘Fresh Views of a Young Country: The Photographs of William Williams’

Sat 15 Nov, 4pm: Exhibition opening and book launch of  ‘Young Country’

Sun 16 Nov, 2pm: Poetry reading, Kerry Hines

Sun 30 Nov, 2pm: Floortalk, Wayne Barrar – on making the albumen prints for William Williams’s photographs in Young Country

Mahara Gallery
20 Mahara Place
Gallery hours: Tues to Sat 1oam – 4pm, Sun 1pm-4pm, Mon closed
Contact: ph (04) 902 6242 / email info@maharagallery.org.nz


Showing for one week only from Tuesday 4th till Saturday 8th November.


A Return to the Dark Ages

Opening on Tuesday 4 November at Silver Project Space in Ponsonby, “A return to the dark ages” brings together five female artists with connections to Northland. Kristin Hatland, exhibiting artist and project coordinator, is excited about bringing together artists whose work is visually diverse yet connected through their interest in exploring ideas about darkness, time or control. Kristin’s own investigations into philosophy are encapsulated in the series “A return to the dark ages” – a visual commentary upon the moral compass that filters life’s experiences and challenges.

Lisa Clunie’s photographic practice is underpinned by interests in metaphysics and the complexity of time. In the series “Untitled (after Moholy-Nagy)” light and motion are made manifest as subject, and make reference to the active play of forces that we live our lives amidst. Jeanine Oxenius, the only painter in the cluster of photographers, challenges herself to apply humour when life throws her darkness. “It’s the transition from ugly to beautiful that can fix everything, at least for a moment”. Her work encapsulates those moments of relief. Chris Schreuder’s artistic practice harnesses destruction as a necessary element in the creative process. Her current work utilises architectural structures to question whether humanity has in fact ever managed to rise above the conditions of the Dark Ages. Cathy Tuato’o Ross combines the disciplines of drawing and photography (representation and reproduction). In “Reasons”, taking inspiration from the diagrams in coffee table books that explain what you are seeing in photographs, objects are reduced to outlines of themselves, in an attempt to increase clarity and limit meaning.

Vivian Maier Poster FINAL2


Vendetta Films in Auckland,  are a film distributor bringing independent films from all around the world to Australia and NZ. They have just announced the release date (to selected NZ cinemas) as 6th November 2014  for the fantastic documentary Finding Vivian Maier.

Who is Vivian Maier? A mysterious nanny who secretly took over 100,000 photographs from the 1950s to the 1980s that went unseen until recently. Now considered one of the 20th century’s greatest street photographers, Maier’s strange and riveting life and art are revealed through never-before-seen photographs, films, and interviews with dozens who thought they knew her.

Screening venues/sessions plus more info at: http://www.vendettafilms.co.nz/Findingvivianmaier

Below are  all the  NZ screening locations.

Screening dates - Vivian Maier Film


Christian_Thompson_gallery invite

You are warmly invited to meet our inaugural artist-in-resident, internationally-renowned Christian Thompson at the brand new Te Whare Hēra gallery space; a stunning gallery suite at the prow-end of the Clyde Quay Wharf Development, in Wellington harbour.

Free and open to the public, tea and biscuits will be provided.

The first artist-in-residence, Christian Thompson, is an internationally acclaimed artist whose work explores issues of identity, cultural hybridity and history. He is an Inaugural Charlie Perkins Scholar and one of the first Aboriginal Australians to be accepted into the University of Oxford in its 900-year history, where he is currently reading for a Doctorate of Philosophy (Fine Art) at Trinity College. His multidisciplinary practice engages media such as photography, video, sculpture, performance and sound.

Thompson came to prominence in Australia in the late nineties and his work is primarily focused on the performative exploration of identity. In his performances and photographic works he inhabits a range a personas achieved through hand-crafted costumes and carefully orchestrated poses and backdrops.

Thompson’s artistic practice has been informed by his absorption of a wide range of cultures in his youth. Interweaving traditional or vintage props with elements of pop culture and garish touches from the 1980s, he is known for his subtle references to land and culture of the Bidjara people. His work provocatively explores a myriad of themes from the sensorial replication of childhood memories of the Australian desert hinterland, the critical parody and deconstruction of the identity of the artist, and the mythology of landscape.

Thompson has been included in such exhibitions as unDisclosed, 2nd National Indigenous Triennial, National Gallery of Australia, Canberra;Collection, Valencian Institute of Modern Art, Valencia, Spain; Hijacked III, QUOD Gallery, Derby, UK; Shadow life Bangkok Art and Cultural Centre, Bangkok, Thailand; The Beauty of Distance / Songs of Survival in a Precarious Age, 17th Biennale of Sydney; Cultural Warriors, National Indigenous Art Triennial, National Gallery of Australia, Canberra (touring). Thompson’s work is held in major public and private collections including Museum of Contemporary Art, Sydney; National Gallery of Australia, Canberra; Art Gallery of NSW, Sydney; National Gallery of Victoria, Melbourne; Queensland Art Gallery, Brisbane; Aboriginal Art Museum, Utrecht, The Netherlands; University of Queensland Art Museum, Brisbane.

Don’t forget you are also warmly invited to join us for Christian Thompson’s artist lecture tomorrow evening (16 Oct) at 6pm at the Te Ara Hihiko Creative Arts Building, Massey University Wellington.

The Te Whare Hēra gallery space sits at the prow end of the new Clyde Quay Wharf Development (formerly known as the Overseas Passenger Terminal) — an inspirational setting overlooking Wellington’s beautiful harbour.



For more information on the residency programme see

For more information on Christian Thompson see